Trailer Courtesy of Youtube
http://www.youtube.com/watch?v=kz6GbvWD_NI
Tuesday, 23 March 2010
The Football Factory (2004)
What else you gonna do on a Saturday?
Starring:
Danny Dyer
Dudley Sutton
Frank Harper
Jamie Foreman
Neil Maskell
Roland Manookian
Tamer Hassan
Directed by:
Nick Love
Rating: 3/10
Running Time: 93 minutes
Certificate: UK: 18
Country: United Kingdom
Let the title fool you at your peril – ‘The Football Factory’ is a film that has absolutely nothing to do with football. You won’t see a blade of grass, a ball, or a set of goals anywhere within its 93 minutes. Neither, for that matter, will you see a waving scarf, a steaming hot cup of Bovril, or the inside of a stadium – so you couldn’t even accurately describe it as a film about football supporters.
No, ‘The Football Factory’ is about one thing and one thing only: hooligans. Sure, they’re hooligans who attach themselves to one English football club or another (in this case Chelsea). But, if they’re also football supporters, it’s certainly not something writer-director Nick Love has any interest in. After all, at no point in the film is football even spoken about. Okay, so there’s a bit where one of our main hoolies (Frank Harper) is glued to the live TV coverage of the draw for the next round of the FA Cup – but even that turns out to be only so he can mark into his diary whose face he’s going to be kicking the snot out of next.
Adapted from the novel by Nick Love (just one of countless pieces of football thug-friendly literature to have sprung up over the past few years), we’re taken through a couple of weeks in the life of Tommy (Danny Dyer). He’s a fully paid-up member of a Chelsea “Firm”, and justifies his way of life by rambling on about the importance of “making a difference.” Exactly what he’s making a difference to, other than the queue at his local casualty, is never quite explained. Nonetheless, he’s part of a lower-middle-class sub-culture that makes him feel both big AND clever – until a couple of scary dreams cause him to vaguely question the worth of it all, that is.
You’ve got to hand it to Love – he’s assembled a convincing band of Guy Ritchie cast-off types, and his scenes of inner-city street warfare are frighteningly realistic. But there’s no discernable plotline, no form of redemption for any of our characters, and nobody for the right-thinking viewer to side with. Yup, there’s a moral lesson thrown in for our lead protagonist, but it never looks like it’s been included as anything more than a minor afterthought in an extremely weak effort to justify the film’s existence. Without a shadow of a doubt, this is a film that revels in its subject matter, which can only bring me to the conclusion that it’s not only about hooligans – it’s also aimed squarely at them. If you’re one of them, you’ll probably love it. Who doesn’t love being told exactly what they want to hear?
It's Got: Frank Harper doing a Cockney tribute to Joe Pesci’s Tommy De Vito from ‘Goodfellas’.
It Needs: To be associated with football about as much as football needs to be associated with it.
What else you gonna do on a Saturday?
Starring:
Danny Dyer
Dudley Sutton
Frank Harper
Jamie Foreman
Neil Maskell
Roland Manookian
Tamer Hassan
Directed by:
Nick Love
Rating: 3/10
Running Time: 93 minutes
Certificate: UK: 18
Country: United Kingdom
Let the title fool you at your peril – ‘The Football Factory’ is a film that has absolutely nothing to do with football. You won’t see a blade of grass, a ball, or a set of goals anywhere within its 93 minutes. Neither, for that matter, will you see a waving scarf, a steaming hot cup of Bovril, or the inside of a stadium – so you couldn’t even accurately describe it as a film about football supporters.
No, ‘The Football Factory’ is about one thing and one thing only: hooligans. Sure, they’re hooligans who attach themselves to one English football club or another (in this case Chelsea). But, if they’re also football supporters, it’s certainly not something writer-director Nick Love has any interest in. After all, at no point in the film is football even spoken about. Okay, so there’s a bit where one of our main hoolies (Frank Harper) is glued to the live TV coverage of the draw for the next round of the FA Cup – but even that turns out to be only so he can mark into his diary whose face he’s going to be kicking the snot out of next.
Adapted from the novel by Nick Love (just one of countless pieces of football thug-friendly literature to have sprung up over the past few years), we’re taken through a couple of weeks in the life of Tommy (Danny Dyer). He’s a fully paid-up member of a Chelsea “Firm”, and justifies his way of life by rambling on about the importance of “making a difference.” Exactly what he’s making a difference to, other than the queue at his local casualty, is never quite explained. Nonetheless, he’s part of a lower-middle-class sub-culture that makes him feel both big AND clever – until a couple of scary dreams cause him to vaguely question the worth of it all, that is.
You’ve got to hand it to Love – he’s assembled a convincing band of Guy Ritchie cast-off types, and his scenes of inner-city street warfare are frighteningly realistic. But there’s no discernable plotline, no form of redemption for any of our characters, and nobody for the right-thinking viewer to side with. Yup, there’s a moral lesson thrown in for our lead protagonist, but it never looks like it’s been included as anything more than a minor afterthought in an extremely weak effort to justify the film’s existence. Without a shadow of a doubt, this is a film that revels in its subject matter, which can only bring me to the conclusion that it’s not only about hooligans – it’s also aimed squarely at them. If you’re one of them, you’ll probably love it. Who doesn’t love being told exactly what they want to hear?
It's Got: Frank Harper doing a Cockney tribute to Joe Pesci’s Tommy De Vito from ‘Goodfellas’.
It Needs: To be associated with football about as much as football needs to be associated with it.
The Football Factory is a 2004 English film directed by Nick Love and stars Danny Dyer and Frank Harper. It is based on the novel of the same name by John King.
The film is the first foray into film-making by video game producers Rockstar Games, credited as Executive Producers.
In 2004, Chelsea F.C. football supporters' fanzine cfcuk produced a special edition - "cfcuk - The Football Factory" to coincide with the release of the film.
Tuesday, 2 March 2010
Wednesday, 3 February 2010
Tuesday, 2 February 2010
Slumdog millionaire review
The Times Review
Danny Boyle couldn’t have timed his resurrection as a populist director much better than this. Half the planet is desperate to enjoy a feel-good hit that doesn’t involve Abba songs.
The other half will be astonished by his chutzpah. Slumdog Millionaire is exactly the kind of exotic, edgy thriller that the new generation of Academy voters on both sides of the Pond absolutely adores. The rags-to-riches story is set in the grubby backstreets of Mumbai. Half the script is delivered in Hindi. And the plot is impossibly shallow.
The film starts at the end. Dev Patel’s 18-year-old Jamal is just one correct answer away from winning — or blowing — a 20 million rupee (£280,000) fortune on the Indian version of Who Wants to Be a Millionaire?
When the programme breaks for the night before the all-important final question, Jamal is bundled through the back door of the television studio, whisked to the nearest police station, and beaten to a pulp by corrupt and jealous cops who want to know how he cheated. This is where the film actually begins.
“What the hell can a slum boy possibly know?” barks the irritated police chief (Irrfan Khan) as a plump minion clips a pair of electric cables to Jamal’s big toes. “The answers,” spits out Patel’s bruised hero. The plucky martyr reveals how each loaded question asked by the slimy host of Millionaire unlocks a seminal childhood injury.
This being a Danny Boyle movie the precious answers are nailed to brutal scenes. They involve frantic sprints through Mumbai’s crowded markets and grisly flashbacks to medieval slums where the nine-year-old Jamal, and his slightly older psychotic brother, Salim (Madhur Mittal), spend most of their childhood fleeing the clutches of sinister pimps and hungry gangs. It’s terribly Dickensian.
The fairytale power of the film is the way Boyle manages to capture the evolution of the city through the eyes of a child. It’s visually astonishing. The film gets under the skin of the city on every imaginable level. The cinematographer Anthony Dod Mantle is an insouciant genius with a camera. You could hang his lush stills of garbage heaps, frowning waifs and skeletal tower blocks in any respectable art gallery. By the same token the film must have been murder to edit.
Jamal’s shocks of growing up alone unfold like dreams: the death of his mother, murdered during a riot; a comic shaking of hands with a Bollywood legend, and then a long litany of ghastly wounds inflicted on fellow urchins by smiling pimps and lethal Fagins.
The rift between the sensitive Jamal and his increasingly domineering brother is the rip that hurts the most. The adolescent orphans barely understand the pain that they inflict on each other. Boyle uses this simmering tension to turn up the temperature at critical moments.
The director has never been shy of manipulating emotions and characters to crank out the maximum screen emotion. The scented backdrops and flavours of Mumbai dilute the crude liberties that Boyle occasionally inflicts on the melodrama.
The fact that these memories stack up into neat answers is spookily inconvenient if you’re a poisonous bastard such as Anil Kapoor’s deliciously smug television host. Or an emotionally detached viewer. Indeed Slumdog Millionaire is guilty of all sorts of implausible twists, not least a thundery long-distance romance between Jamal and a sultry captive beauty (Freida Pinto) forced into prostitution. It keeps pulling at your sleeve like a needy child.
Despite the wobbly structure, Slumdog is a far more sophisticated film than the plot suggests. There isn’t an inch of Merchant Ivory on view. And, like the best parables, Slumdog doesn’t simply plunder India’s troubled past and a boy’s bitter-sweet memories in order to look forward.
What’s great about the film is that it looks sideways as the past and future grind past each other like tectonic plates. It’s the kind of dynamic that Robert Lepage explores so brilliantly on stage. Here, Boyle takes on a bewildering mess of contradictions to make a surprisingly pure point.
Mumbai’s brand new skyscrapers sprout out of patches of mud; Jamal’s old-fashioned principles will forever be out of synch with the slick, nightclub world that his older brother Salim inhabits. And so it goes. The romance? Fear not. It’s fabulous icing.
15, 120 mins
Danny Boyle couldn’t have timed his resurrection as a populist director much better than this. Half the planet is desperate to enjoy a feel-good hit that doesn’t involve Abba songs.
The other half will be astonished by his chutzpah. Slumdog Millionaire is exactly the kind of exotic, edgy thriller that the new generation of Academy voters on both sides of the Pond absolutely adores. The rags-to-riches story is set in the grubby backstreets of Mumbai. Half the script is delivered in Hindi. And the plot is impossibly shallow.
The film starts at the end. Dev Patel’s 18-year-old Jamal is just one correct answer away from winning — or blowing — a 20 million rupee (£280,000) fortune on the Indian version of Who Wants to Be a Millionaire?
When the programme breaks for the night before the all-important final question, Jamal is bundled through the back door of the television studio, whisked to the nearest police station, and beaten to a pulp by corrupt and jealous cops who want to know how he cheated. This is where the film actually begins.
“What the hell can a slum boy possibly know?” barks the irritated police chief (Irrfan Khan) as a plump minion clips a pair of electric cables to Jamal’s big toes. “The answers,” spits out Patel’s bruised hero. The plucky martyr reveals how each loaded question asked by the slimy host of Millionaire unlocks a seminal childhood injury.
This being a Danny Boyle movie the precious answers are nailed to brutal scenes. They involve frantic sprints through Mumbai’s crowded markets and grisly flashbacks to medieval slums where the nine-year-old Jamal, and his slightly older psychotic brother, Salim (Madhur Mittal), spend most of their childhood fleeing the clutches of sinister pimps and hungry gangs. It’s terribly Dickensian.
The fairytale power of the film is the way Boyle manages to capture the evolution of the city through the eyes of a child. It’s visually astonishing. The film gets under the skin of the city on every imaginable level. The cinematographer Anthony Dod Mantle is an insouciant genius with a camera. You could hang his lush stills of garbage heaps, frowning waifs and skeletal tower blocks in any respectable art gallery. By the same token the film must have been murder to edit.
Jamal’s shocks of growing up alone unfold like dreams: the death of his mother, murdered during a riot; a comic shaking of hands with a Bollywood legend, and then a long litany of ghastly wounds inflicted on fellow urchins by smiling pimps and lethal Fagins.
The rift between the sensitive Jamal and his increasingly domineering brother is the rip that hurts the most. The adolescent orphans barely understand the pain that they inflict on each other. Boyle uses this simmering tension to turn up the temperature at critical moments.
The director has never been shy of manipulating emotions and characters to crank out the maximum screen emotion. The scented backdrops and flavours of Mumbai dilute the crude liberties that Boyle occasionally inflicts on the melodrama.
The fact that these memories stack up into neat answers is spookily inconvenient if you’re a poisonous bastard such as Anil Kapoor’s deliciously smug television host. Or an emotionally detached viewer. Indeed Slumdog Millionaire is guilty of all sorts of implausible twists, not least a thundery long-distance romance between Jamal and a sultry captive beauty (Freida Pinto) forced into prostitution. It keeps pulling at your sleeve like a needy child.
Despite the wobbly structure, Slumdog is a far more sophisticated film than the plot suggests. There isn’t an inch of Merchant Ivory on view. And, like the best parables, Slumdog doesn’t simply plunder India’s troubled past and a boy’s bitter-sweet memories in order to look forward.
What’s great about the film is that it looks sideways as the past and future grind past each other like tectonic plates. It’s the kind of dynamic that Robert Lepage explores so brilliantly on stage. Here, Boyle takes on a bewildering mess of contradictions to make a surprisingly pure point.
Mumbai’s brand new skyscrapers sprout out of patches of mud; Jamal’s old-fashioned principles will forever be out of synch with the slick, nightclub world that his older brother Salim inhabits. And so it goes. The romance? Fear not. It’s fabulous icing.
15, 120 mins
Overview
User Rating:Top 250: #87 (register to vote)
8.4/10 155,660 votes
MOVIEmeter:
Up 4% in popularity this week. See why on IMDbPro.
Directors:
Danny Boyle
Loveleen Tandan (co-director: India)
Writers:
Simon Beaufoy (screenplay)
Vikas Swarup (novel)
Contact:
View company contact information for Slumdog Millionaire on IMDbPro.
Release Date:
9 January 2009 (UK) more
Genre:
Crime | Drama | Romance more
Tagline:
Love and money... You have mixed them both. more
Plot:
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers. full summary | full synopsis
Plot Keywords:
more
Awards:
Won 8 Oscars. Another 96 wins & 48 nominations more
NewsDesk:
(3424 articles)
Avatar set to take on The Hurt Locker in race for Oscar glory
(From The Geek Files. 2 February 2010, 12:43 AM, PST)
Miley Cyrus to Auction Off Grammy Dress for Haiti
(From Celebrity Mania. 1 February 2010, 10:43 PM, PST)
User Reviews:
One of the best cinema offered in 2008 more (872 total)
Cast (Cast overview, first billed only)
Dev Patel ... Jamal K. Malik
Saurabh Shukla ... Sergeant Srinivas
Anil Kapoor ... Prem Kapur
Rajendranath Zutshi ... Director (as Raj Zutshi)
Jeneva Talwar ... Vision Mixer
Freida Pinto ... Latika
Irrfan Khan ... Police Inspector
Azharuddin Mohammed Ismail ... Youngest Salim
Ayush Mahesh Khedekar ... Youngest Jamal
Jira Banjara ... Airport Security Guard (as Hira Banjara)
Sheikh Wali ... Airport Security Guard
Mahesh Manjrekar ... Javed
Sanchita Choudhary ... Jamal's Mother
Himanshu Tyagi ... Mr Nanda
Sharib Hashmi ... Prakash
more
Create a character page for:
Additional Details
MPAA:
Rated R for some violence, disturbing images and language.
Parents Guide:
View content advisory for parents
Runtime:
120 min
Country:
UK
Language:
English | Hindi | French
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
SDDS | Dolby Digital | DTS
Certification:
USA:R (certificate #44838) | UK:15 | Ireland:15A | Australia:MA | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Czech Republic:15 | New Zealand:R13 | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Norway:11 | India:A (cinema release) | Finland:K-15 | Hong Kong:IIB | Singapore:NC-16 | Portugal:M/12 (Qualidade) | Netherlands:12 | South Africa:13V | Brazil:16 | South Korea:15 | Peru:14 | Argentina:16 | Spain:13 | Sweden:15 | Germany:12 | Japan:PG-12 | Philippines:PG-13 (MTRCB) | Belgium:KT | Mexico:B | Iceland:12 | New Zealand:R16 (DVD rating) | France:U
Filming Locations:
Agra, Uttar Pradesh, India more
User Rating:Top 250: #87 (register to vote)
8.4/10 155,660 votes
MOVIEmeter:
Up 4% in popularity this week. See why on IMDbPro.
Directors:
Danny Boyle
Loveleen Tandan (co-director: India)
Writers:
Simon Beaufoy (screenplay)
Vikas Swarup (novel)
Contact:
View company contact information for Slumdog Millionaire on IMDbPro.
Release Date:
9 January 2009 (UK) more
Genre:
Crime | Drama | Romance more
Tagline:
Love and money... You have mixed them both. more
Plot:
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers. full summary | full synopsis
Plot Keywords:
more
Awards:
Won 8 Oscars. Another 96 wins & 48 nominations more
NewsDesk:
(3424 articles)
Avatar set to take on The Hurt Locker in race for Oscar glory
(From The Geek Files. 2 February 2010, 12:43 AM, PST)
Miley Cyrus to Auction Off Grammy Dress for Haiti
(From Celebrity Mania. 1 February 2010, 10:43 PM, PST)
User Reviews:
One of the best cinema offered in 2008 more (872 total)
Cast (Cast overview, first billed only)
Dev Patel ... Jamal K. Malik
Saurabh Shukla ... Sergeant Srinivas
Anil Kapoor ... Prem Kapur
Rajendranath Zutshi ... Director (as Raj Zutshi)
Jeneva Talwar ... Vision Mixer
Freida Pinto ... Latika
Irrfan Khan ... Police Inspector
Azharuddin Mohammed Ismail ... Youngest Salim
Ayush Mahesh Khedekar ... Youngest Jamal
Jira Banjara ... Airport Security Guard (as Hira Banjara)
Sheikh Wali ... Airport Security Guard
Mahesh Manjrekar ... Javed
Sanchita Choudhary ... Jamal's Mother
Himanshu Tyagi ... Mr Nanda
Sharib Hashmi ... Prakash
more
Create a character page for:
Additional Details
MPAA:
Rated R for some violence, disturbing images and language.
Parents Guide:
View content advisory for parents
Runtime:
120 min
Country:
UK
Language:
English | Hindi | French
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
SDDS | Dolby Digital | DTS
Certification:
USA:R (certificate #44838) | UK:15 | Ireland:15A | Australia:MA | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Czech Republic:15 | New Zealand:R13 | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Norway:11 | India:A (cinema release) | Finland:K-15 | Hong Kong:IIB | Singapore:NC-16 | Portugal:M/12 (Qualidade) | Netherlands:12 | South Africa:13V | Brazil:16 | South Korea:15 | Peru:14 | Argentina:16 | Spain:13 | Sweden:15 | Germany:12 | Japan:PG-12 | Philippines:PG-13 (MTRCB) | Belgium:KT | Mexico:B | Iceland:12 | New Zealand:R16 (DVD rating) | France:U
Filming Locations:
Agra, Uttar Pradesh, India more
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