rags2riches

Tuesday, 2 February 2010

Slumdog millionaire review

The Times Review

Danny Boyle couldn’t have timed his resurrection as a populist director much better than this. Half the planet is desperate to enjoy a feel-good hit that doesn’t involve Abba songs.

The other half will be astonished by his chutzpah. Slumdog Millionaire is exactly the kind of exotic, edgy thriller that the new generation of Academy voters on both sides of the Pond absolutely adores. The rags-to-riches story is set in the grubby backstreets of Mumbai. Half the script is delivered in Hindi. And the plot is impossibly shallow.

The film starts at the end. Dev Patel’s 18-year-old Jamal is just one correct answer away from winning — or blowing — a 20 million rupee (£280,000) fortune on the Indian version of Who Wants to Be a Millionaire?

When the programme breaks for the night before the all-important final question, Jamal is bundled through the back door of the television studio, whisked to the nearest police station, and beaten to a pulp by corrupt and jealous cops who want to know how he cheated. This is where the film actually begins.

“What the hell can a slum boy possibly know?” barks the irritated police chief (Irrfan Khan) as a plump minion clips a pair of electric cables to Jamal’s big toes. “The answers,” spits out Patel’s bruised hero. The plucky martyr reveals how each loaded question asked by the slimy host of Millionaire unlocks a seminal childhood injury.

This being a Danny Boyle movie the precious answers are nailed to brutal scenes. They involve frantic sprints through Mumbai’s crowded markets and grisly flashbacks to medieval slums where the nine-year-old Jamal, and his slightly older psychotic brother, Salim (Madhur Mittal), spend most of their childhood fleeing the clutches of sinister pimps and hungry gangs. It’s terribly Dickensian.

The fairytale power of the film is the way Boyle manages to capture the evolution of the city through the eyes of a child. It’s visually astonishing. The film gets under the skin of the city on every imaginable level. The cinematographer Anthony Dod Mantle is an insouciant genius with a camera. You could hang his lush stills of garbage heaps, frowning waifs and skeletal tower blocks in any respectable art gallery. By the same token the film must have been murder to edit.

Jamal’s shocks of growing up alone unfold like dreams: the death of his mother, murdered during a riot; a comic shaking of hands with a Bollywood legend, and then a long litany of ghastly wounds inflicted on fellow urchins by smiling pimps and lethal Fagins.

The rift between the sensitive Jamal and his increasingly domineering brother is the rip that hurts the most. The adolescent orphans barely understand the pain that they inflict on each other. Boyle uses this simmering tension to turn up the temperature at critical moments.

The director has never been shy of manipulating emotions and characters to crank out the maximum screen emotion. The scented backdrops and flavours of Mumbai dilute the crude liberties that Boyle occasionally inflicts on the melodrama.

The fact that these memories stack up into neat answers is spookily inconvenient if you’re a poisonous bastard such as Anil Kapoor’s deliciously smug television host. Or an emotionally detached viewer. Indeed Slumdog Millionaire is guilty of all sorts of implausible twists, not least a thundery long-distance romance between Jamal and a sultry captive beauty (Freida Pinto) forced into prostitution. It keeps pulling at your sleeve like a needy child.

Despite the wobbly structure, Slumdog is a far more sophisticated film than the plot suggests. There isn’t an inch of Merchant Ivory on view. And, like the best parables, Slumdog doesn’t simply plunder India’s troubled past and a boy’s bitter-sweet memories in order to look forward.

What’s great about the film is that it looks sideways as the past and future grind past each other like tectonic plates. It’s the kind of dynamic that Robert Lepage explores so brilliantly on stage. Here, Boyle takes on a bewildering mess of contradictions to make a surprisingly pure point.

Mumbai’s brand new skyscrapers sprout out of patches of mud; Jamal’s old-fashioned principles will forever be out of synch with the slick, nightclub world that his older brother Salim inhabits. And so it goes. The romance? Fear not. It’s fabulous icing.

15, 120 mins

Overview
User Rating:Top 250: #87 (register to vote)
8.4/10 155,660 votes
MOVIEmeter:
Up 4% in popularity this week. See why on IMDbPro.
Directors:
Danny Boyle
Loveleen Tandan (co-director: India)
Writers:
Simon Beaufoy (screenplay)
Vikas Swarup (novel)
Contact:
View company contact information for Slumdog Millionaire on IMDbPro.
Release Date:
9 January 2009 (UK) more
Genre:
Crime | Drama | Romance more
Tagline:
Love and money... You have mixed them both. more
Plot:
A Mumbai teen who grew up in the slums, becomes a contestant on the Indian version of "Who Wants To Be A Millionaire?" He is arrested under suspicion of cheating, and while being interrogated, events from his life history are shown which explain why he knows the answers. full summary | full synopsis
Plot Keywords:
more
Awards:
Won 8 Oscars. Another 96 wins & 48 nominations more
NewsDesk:
(3424 articles)
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(From Celebrity Mania. 1 February 2010, 10:43 PM, PST)
User Reviews:
One of the best cinema offered in 2008 more (872 total)
Cast (Cast overview, first billed only)

Dev Patel ... Jamal K. Malik

Saurabh Shukla ... Sergeant Srinivas
Anil Kapoor ... Prem Kapur

Rajendranath Zutshi ... Director (as Raj Zutshi)
Jeneva Talwar ... Vision Mixer

Freida Pinto ... Latika
Irrfan Khan ... Police Inspector
Azharuddin Mohammed Ismail ... Youngest Salim
Ayush Mahesh Khedekar ... Youngest Jamal
Jira Banjara ... Airport Security Guard (as Hira Banjara)
Sheikh Wali ... Airport Security Guard
Mahesh Manjrekar ... Javed
Sanchita Choudhary ... Jamal's Mother
Himanshu Tyagi ... Mr Nanda
Sharib Hashmi ... Prakash
more
Create a character page for:

Additional Details
MPAA:
Rated R for some violence, disturbing images and language.
Parents Guide:
View content advisory for parents
Runtime:
120 min
Country:
UK
Language:
English | Hindi | French
Color:
Color
Aspect Ratio:
2.35 : 1 more
Sound Mix:
SDDS | Dolby Digital | DTS
Certification:
USA:R (certificate #44838) | UK:15 | Ireland:15A | Australia:MA | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Czech Republic:15 | New Zealand:R13 | Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) | Norway:11 | India:A (cinema release) | Finland:K-15 | Hong Kong:IIB | Singapore:NC-16 | Portugal:M/12 (Qualidade) | Netherlands:12 | South Africa:13V | Brazil:16 | South Korea:15 | Peru:14 | Argentina:16 | Spain:13 | Sweden:15 | Germany:12 | Japan:PG-12 | Philippines:PG-13 (MTRCB) | Belgium:KT | Mexico:B | Iceland:12 | New Zealand:R16 (DVD rating) | France:U
Filming Locations:
Agra, Uttar Pradesh, India more

Tuesday, 12 January 2010

Green Street

http://business.pearlanddean.com/filmplanner/filmdetail.html?FilmID=3085

from this link the target audience for the film is 15-24 which is very young, the gender audience is shown to be more male maybe due to the fact the film is quite violent.

Exchange

Reviews
Amazon.co.uk Review
After the Lord of the Rings trilogy, Elijah Wood could've opted for further big budget epics, but took a sharp left turn with this better-than-average B-movie. Released just after Everything is Illuminated, another offbeat entry, Wood plays journalism student Matt Buckner. In the prologue, he's expelled from Harvard when his over-privileged roommate sets him up to take the fall for his own misdeeds. With nowhere to go, Matt decides to visit his sister, Shannon (Claire Forlani), in London. He's already got a chip on his shoulder when he falls under the sway of Shannon's brother-in-law, Pete (Charlie Hunnam), head of West Ham's football "firm," the Green Street Elite. Matt soon gets caught up in their thuggish antics—to tragic effect. In her feature debut, German-born Lexi Alexander makes a mostly convincing case for the attractions of violence to the emotionally vulnerable, as opposed to the emotionally numb pugilists of the more satirical Fight Club. Unlike David Fincher (by way of Chuck Palahniuk), she plays it straight, except for the stylised fight sequences. Consequently, humour is in short supply, but the young Brit cast, especially Leo Gregory as the surly Bovver, is charismatic and Wood makes his character as believable as possible, i.e. he may seem miscast, but that's the point. Although there's no (direct) correlation between the two, Green Street makes a fine taster for Bill Buford's Among the Thugs, the ultimate dissection of the hooligan mentality. --Kathleen C. Fennessy

Synopsis
Matt Buckner (Elijah Wood) is a student who travels to London, where he forms an unlikely bond with his sister’s husband's brother, Pete Dunham (Charlie Hunnam), who introduces him to the world of football hooliganism. Violence breaks out at a West Ham game that Matt attends with Pete and Matt's initial trepidation at the violence swelling around him soon turns into a pulse-racing, visceral thrill. Suddenly finding a taste for the hooligan life, Matt joins Pete's "firm," the Green Street Elite, leading to further booze-fuelled confrontations and providing an opportunity for Matt to keep a journal explaining why he's attracted to such a violent pursuit. Surprisingly, Elijah Wood manages to fit perfectly into a role that seems ill-suited to his elfin, wide-eyed looks. Charlie Hunnam--who starred in the television programmes Queer As Folk and Undeclared--neatly complements Wood as the cockney boy who leads him into danger, and together the two actors manage to carve out convincingly violent characters. Thematically similar to The Football Factory, Green Street mixes loud, energetic soundtrack and roaming, trembling camera work to create a disquieting atmosphere in a movie punctuated with scenes of rampant brutality.

Youtube's trailer of the film

http://www.youtube.com/watch?v=EAe-1Lv1KYU

Tuesday, 1 December 2009

Tuesday, 17 November 2009

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